Monday, March 31, 2008

Split This Rock - The Reports Are Pouring In







The reports and blogs are coming in fast and furious. We'll be posting more and links to many more in the weeks ahead. Here's one by Richard Cambridge, above, that he wrote for the Earth Watch Institute, where he is a fellow. The panel he refers to was "The Poet as Oracle," and featured Patricia Monaghan, Coleman Barks, and himself.

Split This Rock Report
Richard Cambridge
21-23 March, 2990

Dear Friends & Fellows:

Here is my report of the Split This Rock festival. At events such as this I am always torn between being a journalist and taking notes, and parking my brain and letting go to absorb what is happening in the moment.

This conference meant so much to me because it brought together, perhaps for the first time with such intention, writers who are also activists. Whenever I’ve engaged in political action it has usually been with my (politically) activist friends. For me, there was always something missing, perhaps the common language I speak with other writers. So it was, in a sense, like finding my tribe. Here were writers taking their craft and their consciousness to the next level. I am thinking of Che’s inimitable words, “I have polished my will with the delight of an artist.” Yeah, that’s what we were doing!

Patricia Monaghan has referred to the itinerary of the festival which you can view at http://www.splitthisrock.org/ so you can see just how wide and deep was the range. I regret I was not able to be at all the events I would have liked to, but here are my impressions of what I did manage to attend.

(I’m skipping our own panel, (Poet as Oracle) concurring with Patricia’s account; attached is the poem I closed with, “Who Killed McDuffie?” but if you google “Who Killed McDuffie” a poem by Hakim al Jalil you’ll get the full website with the poem and the account it was based on. It's done up much better!

On the Friday night reading, Jimmy Santiago Baca was full of passion and outrage over the war in Iraq, and it was reflected in the language of his poetic rants, finding new combinations of mothers and fornicators that some found over-the-top, but I felt was warranted given the intimacy of the pain and suffering of the Iraqi people he was conveying. So some comfort zones were pushed.

Patricia Smith gave her gold-standard fusion of poetry and performance. Her 34-part poem in the wake of Katrina imagining the last thoughts of the 34 elderly people in the nursing home abandoned to drowning was shocking and awesome in the true, sublime meaning of those words.
On Saturday night, Dennis Brutus took the counterfeit use of “shock & awe” in the government’s description of the bombing of Baghdad, and compared it to the red and green flashing lights on a Christmas tree.

But mostly he talked about citizens’ responsibility not to fund the war through tax resistance. And he personalized the conference name (Split This Rock) for when he was in prison his job was doing just that: busting rocks to gravel and spreading them around the courtyard. The audience honored him with a standing ovation going up to and leaving the stage. He is our shining example of what it means to be a poet-warrior.

Busboys & Poets

If ever there was a model hang-out for poets it’s this joint! Book store, full liquor bar, Java jacked to the max, comfort food, couches, tables, lounge chairs, WIFI, and a cabaret theater! (I did not hallucinate this place!)

The open mic on Friday night was free-wheeling and fun and lasted, until to 2am. It was hosted by my friend and festival organizer, Regie Cabico. Regie was outrageous, vowing to serve the cause by performing all manner of sexual acts on every republican until they were forced to leave town.

On Saturday night there was a film festival featuring about 30 short films made by poets. These were amazing, pushing the boundaries of performance poetry into the medium of film. They ranged from a documentary by Jimmy Santiago Baca using poetry workshops with inner city gangs to break open their hearts to healing from all the violence they’ve witnessed and caused; a rap docudrama about the genesis and murder of a street hustler; a dozen imagistic word-play haiku. (Think what a visualization of Williams’ “The Red Wheelbarrow” would look like.) And the howler of the lot was a poem by John Giorno, a stand-up rant-reversal called, “Just Say No to Family Values.” He began with something like…”Drugs are GOOD for you! Drugs are your friend!” No stone was left unturned; many glass houses were shattered. I found it on YouTube so google ["Just say no to family values" a poem by John Giorno. ] It is well worth watching!

Sunday Reading at George Washington U.
Sharon Olds & Galway Kinnell


Sharon Olds could not make the reading due to illness. Galway Kinnell said they had to bolt her to her bed to keep her from coming. Naomi Ayala read in her stead, beginning in Spanish, and then reading her poems in English. She was tuff stuff and her words crackled like a cat-o-nine tails. She is the author of “Wild Animals on the Moon.”

Galway Kinnell opened with a mocking, derisive poem by Whitman about the three presidents that preceded Lincoln, and then one “from my friend Robert Bly,” an anti-war poem from the 60”s in which he substituted the word Iraq for Vietnam. Who could tell?

My friend, Jose Gouvea (who ran the “Poetry as Rant” workshop) audio-taped this reading and he says he will be able to email it to me, so I hope to forward it along.

The March

After the reading we gathered outside, a few hundred. We were too many to be unnoticed, too few to march in the street. We were given a permit to walk the sidewalk. Some wore poems, others masks, but all were silent. This was to be a silent march. I thought this odd, poets of witness, voluntarily dumb. Everyone seemed comfortable with this. Obviously, I had spiritual work to do: I had not achieved the state of grace of the Zen no-poem.

Along the sidewalks were newly planted pansies and they were not silent: they shouted and cheered gold, yellow, and white all the way to the park. There were no blustering Blue Meanies: the State was so comfortable with our presence they were absent— until we arrived, un-welcome guests outside the gate of the house…

Lafayette Park
A Living Epistle of Witness

…Then a cop on a horse clippety-clopped us into the park. Another one, breastplated and helmeted, barked orders to a deputy dog to do its work, sniffling the stage and sound equipment like a dope-fiend hunting white powder. Finding no evidence or incendiaries, it pawed and peed the grass and hruff hruff’d a bitch nearby.

We formed a spiral, a giant conch-shell in the ear of the State, each person sounding a line of a poem, like Kerouac blowing word-jazz—an epic witness for peace, against war, with joy and tears, in celebration, in chant— each soul uttering twelve words of free verse, line upon line, here a little, there a little, a living epistle.

If there was life in the house across the street— ears to hear, hearts to understand— I couldn’t tell. I did notice the sparrows in the budding magnolias around us, perched upon branches, and I know they were listening, for the last trills of their song were improvised, just so.
When they lifted off for the house, no alarm sounded as they violated the fence, and although they were noted by guarded eyes, fingers failed to twitch, and guns whispered quietly in their holsters. One broke off from the flock and flew around to the other side of the house, and came to rest upon a rose bush in the garden and began to sing. Someone was there, and I swear their brow furrowed, although I have no proof of this.
#

Who Killed Mcduffie?

His brain was bashed
cranium crashed
skull fractured/broken
all the way around
but they said those who beat him
didn’t kill him
so who killed mcduffie?
Maybe it was the same ones
who didn’t kill
clifford glover/randy heath/jay parker
claude reese/randy evans/luis baez/
artur reys/bonita carter/eula love/
elizabeth magnum/arthur miller &
countless others
when they musta tripped or
their fingers slipped
Maybe it was the same ones
who didn’t kill
jose torres/zayd shakur/fred & carl
hampton/jonathon & george/joe dell
twyman myers/spurgeon winters &
a few thousand others
Perhaps it was those who didn’t kill
lumumba/che/amilcar/biko/fanon
mondolane/marighella/cordero &
quite a few thousand more
Do you suppose it may have been those
who didn’t kill
The indians and mexicans
who didn’t
steal the land &
claim that they discovered it
who didn’t steal afrikan peoples
halfway across the planet
who didn’t loot our customs/cultures/
religions/languages/labor/& land
who didn’t bomb the japanese/
vietnamese/& boriqua too
Do you think it might have been those
who didn’t kill at attica/watts/dc/
detroit/newark/el barrios
at jackson state, at southern u
at the algiers hotel
who didn't shoot mark essex for
16 hours after he was dead
Ask them & they’ll tell you
What they didn’t do
But they can’t tell you
who killed mcduffie
Maybe it was one of those
seizures unexplainable where he
beat himself to death
It wouldn’t be unusual
our history is full of cases where we
attacked nightsticks & flashlights with our heads
choked billyclubs with our throats till we die
jump in front of bullets with our backs
throw ourselves into rivers with
our hands and feet bound
and hang ourselves on trees/in prison cells
by magic
so it shouldn’t be a mystery that
nobody killed mcduffie
He just died the way so many of us do
of a disease nobody makes a claim to
The police say they didn’t do it
The mayor says he didn’t do it
The judges say they didn’t do it
The government says it didn’t do it
Nixon, papa doc, baby doc bush, says they didn’t do it
The fbi/cia/military establishment
says they didn’t do it
xerox/exxon/itt say they didn’t do it
The klan & nazis say they didn’t do it
(say they were busy in Greensboro & Wrightsville)
I know I didn’t do it
That don’t leave nobody but you
& if you say you didn’t do it
we’re back to where we started
looking for nobody
who killed mcduffie.

You remember nobody, don’t you
like with defacto segregation
where they said the schools were segregated
But nobody did it on purpose
Like when they said there’s been
job discrimination for years
but nobody did it intentionally
but nobody we’re looking for

The one with the motive to kill mcduffie
& you see, we must find this noboby
who slew mcduffie
beacause the next person nobody will beat,
stomp, hang, or shoot to death
won’t’ be mcduffie
it will be you or someone close to you

So for your own safety,
you should know the pedigree of
who killed mcduffie
you should know the reason of
who killed macuffie
you should remember all those forgotten
who died of the disease nobody makes a claim to
so we won’t be here asking

who killed you.

—Hakim Al-Jamil

Sunday, March 23, 2008

Mark Doty Video at Split This Rock

Well, the festival is over. We are all elated and feeling full from the remarkable experience of so many poets of conscience coming together for such a weekend.

Dan Vera captured some of Saturday night's reading. Mark Doty's reading has been posted on YouTube. We'll post more as soon as we get it. For now, here's Mark Doty reading his poem Charlie Howard's descent.

Share this video with friends. Send them the link. Spread the word about Split This Rock!


http://www.youtube.com/watch?v=28AYjytJHvE

Tuesday, March 4, 2008

"Sublime" by Christi Kramer on Foreign Policy in Focus




Sublime, if the gardens in misfortune are taken, they shall be returned

If anyone steal cattle or sheep, or an ass, or a pig or a goat, if it belong to a god or the court. If anyone steal the minor son of another. If break a hole into a house. If the thief has nothing with which to pay ...

Read the poem here: http://www.fpif.org/fpiftxt/5031

Monday, February 25, 2008

Susan Tichy on Foreign Policy in Focus

As part of FPIF's ongoing coverage of Split This Rock, they have published this week Susan Tichy's "American Ghazal." Here are the first lines:

Three men who look like Bedouin, but are not, pause with their camels in the snow—
Photo shot through a bus window, twenty-nine years ago on the Khyber Pass.

On the radio I thought they said: ‘The way the war is disinfected,’
So I turned the page over and found it blank.

Was. Was. Was. Was, the mad poet said. But the president says no,
That poet wasn’t mad. That poet understood the rent collector.


Read the whole poem here: http://www.fpif.org/fpiftxt/5008

Thursday, February 14, 2008

Split This Rock on Foreign Policy in Focus - Lee Sharkey Poem


Foreign Policy in Focus, the "think tank without walls" will be featuring Split This Rock Poetry Festival throughout the next 6 weeks. Check them out at: www.fpif.org to read "In Vigil (2)," a poem by Lee Sharkey, one of the editors of Beloit Poetry Journal, which has produced a powerful special issue dedicated to Split This Rock poets. Order the journal from www.bpj.org.

Sunday, February 10, 2008

Maxwell Wheat: Anti-War Poems Lead to Rejection as County Laureate

photos courtesy of Darlene Cunnip

Monday, June 4, 2007, I was supposed to be approved by the Nassau County (New York) Legislature as the County’s first Poet Laureate, having been unanimously endorsed by the Legislature’s six-member Nassau County Poet Laureate Panel. Instead, I sat in the chamber hearing myself attacked by Republican members of the Government Services & Operations Committee for having "condemned" the troops with my poetry. They rejected me 6-1, the Democrats, except for Legislator Wayne Wink, toppling over.

June 24, a sunny afternoon, poets gathered at Cedarmere, home of the famous 19th Century poet, William Cullen Bryant, and made me Poet Laureate by acclamation. House count (I call it the "lawn count" because people were assembled on the spacious lawn overlooking lovely Roslyn Harbor) was 173 -- poets, naturalists (I am a birder), activists, teachers, friends and family.


I had "condemned the troops and their efforts in Iraq," Republican Legislator Francis Becker charged at the legislative meeting. "Earlier today," he continued, "we on the Republican side started to do our research and came up with this book [Iraq and Other Killing Fields: Poetry for Peace, which I published in 2004] and some other pieces that are on the Internet, all very, very damning to our troops overseas. This is not the time for that in a time of war."

Thirteen poets who had come for a celebratory event, found themselves signing up to speak in my defense. Evelyn Kandel, declaring that she had served as a U. S. Marine as I also had done, stated "That one book (the only one of my five books about war and peace, others being about nature) was the words of someone broken-hearted over what happens in war." "You know what?" snapped Legislator Dennis Dunne, also a former Marine, "he might have written a hundred books. This is the book I heard. You know what? You ain’t getting my vote."

While I stood speaking at the podium I found myself summoning up my techniques as an eight-grade English teacher to halt disturbances. I would stop talking, silently stared at the young culprits and always they stopped. Tallish Mr. Dunne had risen from his seat, walked over to Mr. Becker and looming over him carried on a conversation. I stopped, stood facing and staring at them. In this adult situation, however, it required Chairwoman Diane Yaturo to ask Mr. Dunne to sit down. He did.

I was trying to describe my mission as Poet Laureate which was to "make Nassau County an open classroom for poetry," to bring to residents the awareness that everybody has the ability to enjoy poetry. To show concern for the troops, I read "American Mourning Poem," in which I take the generic out of the word "troops" with short biographical stanzas of four service men and a service woman flown to Dover Air Force Base in flag-draped caskets. (The scene the Government does not want the press to photograph). The legislators were not an attentive audience.

My lone supporter, Legislator Wayne Wink, declared "I’m loss, quite frankly, as to what a Poet Laureate should be, if not someone who is actually going to bring attention to and perhaps stir things up in the name of poetry."

Three poems in the book were cited by my detractors: "The Colonel Will Know When the Troops Can Go Home," "Torture," and "Iraq." All three were based on news stories. The poem "Iraq" was given prominent display the next day in Long Island’s major newspaper, Newsday. Later, the paper’s right-wing columnist, Raymond J. Keating, said of my poems, "there's a good deal of infantile, leftist tripe. How else could one possibly read lines like ‘Less-than-Elected-Vice-President Cheney evolves the Plan, the Empire of the United States of America, or comparing the Oklahoma City bombing to the Iraq War?'"


Afterwards I had the eerie experience of watching the roll call vote, hearing the parade of "no’s" across the rostrum, including that of Democratic Chairwoman Yaturo. "Once I saw," she explained, "that he had picked an elected official -- the President -- to write about, it made me uncomfortable."


The media recognized this as a blatant example of an artist disciplined for speaking against a critical governmental policy. It sped across the nation via The New York Times and the Associated Press. My daughters, Dede in California, Emilie in Virginia and Nell in Maryland sat by their computers monitoring the Internet. "Here comes one!" Nell would shout that Wednesday evening when I sat in telephone contact with her and her daughter, Juliane, for an hour-and-a-half. "Here’s another one!" I would hear as new story came up. "You’re in Canada!" Nell calls out. The story was run by the Montreal Telegram, Toronto Star and a paper in Vancouver.

On June 11, the Boston Globe editorialized:


The hearing on Wheat’s appointment erupted into an argument about
supporting the troops. Nuance was lost. Tossing out this unruly poet, the
unanimous choice of the nominating panel, came to seem like an act of valor.

Voted down by county legislators 6 to 1, Wheat nonetheless stands in
the proud tradition of poets who write about war, an unflinching group who dip their pens into the worst of battle.
Here are the poems cited by Wheat's detractors:

Iraq

Males and one woman
sip coffee mornings in the White House,
talk of desires about Iraq.
For ten years
Less-than-Elected-Vice-President Cheney
evolves The Plan,
the Empire of the United States of America.

Empire building requires "pre-emptive strikes."
When is the strategic time to promote a strike against Iraq?
Not summer,
not with Less-than-Elected-President Bush vacationing in Crawford,
ensconced in his golf cart,
quipping "crawfished" about Saddam Hussein.

"From a marketing point of view,"
says the White House Chief of Staff,
"you don’t introduce new products in August."

Oil waits in the Iraqi womb,
second biggest oil field in the earth.

Think of the Oklahoma bombing.
Whom did the bomber call "Collateral Damage?"
Children.
Think of bombing, invading Iraq.
Half Iraq’s population,
CHILDREN


The Colonel Will Know When the Troops Can Go Home

"Brute force is going to prevail today."
Lt. Col. Bryan McCoy

The Colonel his men call him,
son of two-tour Vietnam veteran,
Company Commander, Persian Gulf War, 1991,
Commander, Third Battalion, Fourth Marines, 2003.

He sits in front seat of armored Humvee
thirty yards from the Diyala River Bridge,
gateway to southeastern Baghdad,
encrypted radio phone nestled by his left ear.
He is Hannibal with General George Patton appreciation of words.
"Lordy," he exclaims.
"Heck of a day. Good kills."

"Their blood is up," he brags of his men.
Fifteen hundred marines
crouch, empty machine guns, M-16s,
splay mortar shells from Abrams tanks, armored assault vehicles.
"We’re killing them like it’s going out of style."
He points to black smoke other side of the 150-foot span.
Boasts his men are establishing "violent supremacy."

"We’ll drill them," he asserts,
learning suicide bombers are driving for the bridge.
Boasts his "Boys are doing good."

Twenty bullet holes through front windshield of blue van.
Bodies of two men in street clothes slumped in front seat.
Body of woman in black chador crumpled on back floor.
No cargo. No suitcases. No bombs.
"The crueler it is, the sooner it’s over," says The Colonel.

"It’s over for us when the last guy who wants to fight for Saddam
has flies crawling across his eyeballs."


Torture

Saddam Hussein Regime

Beat soles of feet with stick ("Bastinado")
whip a prisoner’s head
twist arms, legs until they break
confine in cold cells until arms, legs freeze
press hot iron all over body
sit prisoner on cold bottle-like object
forced up rectum
use machines to remove human limbs, fingers to legs
If a child, make parents watch
dump him into sack with starving cats
Perfection of one hundred seven methods of torture.
Order prisoner to choose
from the State’s Menu of Torture

George W. Bush Administration

Make naked prisoner crouch 45 minutes, stand 72 hours
Balance black-hooded prisoner
draped in make-shift poncho on narrow box
wire his outstretched hands
warn him he will be electrocuted if he falls
Pose men in pyramid of nakedness
stand (male and female soldiers) behind the "pile"
laugh, hold thumbs up, take photographs
grind shoes down on fingers, toes
Back naked man against cell door
confront him with straining, growling dogs
Unleash the Dogs of Democracy

...and the poem he read at his hearing

American Mourning Poem

American Service Men and Women Dead -3,931*

"Intelligence gathered by this and other governments
leaves no doubt that the Iraq regime continues to possess and conceal
some of the most lethal weapons ever devised."

George W. Bush
President of the United States
State of the Union Address
January 28, 2003

Coming HomeIn catacombs of military transports
destined for Dover Air Force Base,
loves, beliefs, ideals, plans:
Hancock Community College,
University of Miami,
New York Police Academy,
weddings, children,
barbeques, baseball, bass fishing-
All lidded down inside caskets
carefully, caringly covered with The American Flag

25-year-old Marine Corps Corporal
St. George, Maine.
Sailor, rock climber, stargazer.
On dance floor, ". . . like a magnet.
"Loves lobsters, mussels-
All lidded down inside casket
carefully, caringly covered with The American Flag

30-year-old Army Private First Class
Tuba City, Arizona.
". . . young, a single mother and capable."
Her boy, 4 - her girl, 3.
Woman proud of her Hopi heritage-
All lidded down inside casket
carefully, caringly covered with The American Flag

20-year-old Marine Corps Corporal
La Harpe, Illinois
High school football, basketball player,
lifeguard at health club pool,
lifts weights,
going to be a physical trainer.
Joins Marine Corps Reserve
to pay for studies at Southern Illinois University-
All lidded down inside casket
carefully, caringly covered with The American Flag

21-year-old Marine Corps Corporal
Gallatin, Tennessee.
Nurses dying mother with his humor,
dresses in clown costume for nieces’ birthdays.
History buff, reads fat books about generals,
presidents, the Revolutionary War-
All lidded down inside casket
carefully, caringly covered with The American Flag

24-year-old Coast Guard Petty Officer
Northport, New York.
Wife, three months pregnant.
Wants to be a policeman like his father.
". . . the kind of person that you fall in love with
the minute that you meet him," a friend says-
All lidded down inside casket
carefully, caringly covered with The American Flag

A father, a mother grieve for their only son, an Army Specialist.
"He wanted to be an engineer," the father remembers.
"He wanted to set up his own business when he got out.
And I says, 'Amigo, I’m waiting for you to get out
so we can put up our own business.’
And all that, well, you know, is history."

The Major General carefully, caringly folds The American Flag,
places the nation’s ensign into the mother’s hands

*as of January 23. 2008

All poems ©Maxwell Corydon Wheat, Jr.

Tour This Rock - Blog These Tours

A message from Kim Roberts:

Three guided walking tours will be offered on the Saturday morning of the Split This Rock festival. I'm very pleased to be coordinating the tours, because it's a great opportunity to remind participants of DC's rich, vibrant (and often overlooked) literary history. These tours will be fun--they are a wonderful way to take a walk around three neighborhoods and see them with new eyes! The tours will be offered concurrently, and are limited to the first 25 people who sign up for each. (You can sign up when you register for the festival.) Tours run from 10:30 am to noon on March 22.

"Walt Whitman's Washington" is a tour of the sites downtown where Whitman lived in boardinghouses, worked as a clerk for the Federal government, and volunteered in Civil War hospitals. The tour is led by Martin Murray, a nationally-known scholar specializing in Whitman's ten years of residence in DC. Martin is also the founder of the Washington Friends of Walt Whitman (http://www.whitmandc.org), this tour's sponsoring organization. Martin is adept at incorporating Whitman's own words into his tours, interweaving poems, letters, journal entries, and essays into the experience, which helps you visualize what the city was like during and after the Civil War, when downtown streets were unpaved, and there were no highrises, when almost every large building was taken over as a temporary hospital for wounded soldiers pouring into the city from battlegrounds to the south.

"GLBT Writers of Washington" will focus on the Dupont Circle neighborhood, an area where gay literary culture flourished from the 1970s to the present. Dan Vera is currently researching and writing this tour, which will include bookstores, clubs, Dupont Park, and writers homes. This tour is sponsored by White Crane, a magazine of gay wisdom and culture, of which Dan is Managing Editor (http://www.gaywisdom.org). Dan is also co-publisher of the DC-based Vrzhu Press, which publishes books of poetry, and a fine poet himself. I can't give many details of the tour as yet--it's still in progress! But Dan says he is excited to be learning so much about his literary forebears, and hopes to show in this tour the importance of community in supporting the work of writers such as Essex Hemphill, Ed Cox, Tim Dlugos, Michael Lally, Richard McCann, and Andrew Holleran.

"The 'Harlem' Renaissance in Washington" is my own tour of the greater U Street neighborhood. Despite its misleading name, the 'Harlem' Renaissance actually got its start in DC, and many of the literary stars of that movement lived here, including Langston Hughes, Zora Neale Hurston, Jean Toomer, Georgia Douglas Johnson, and Jessie Fauset. We'll talk about the Saturday Nighters salon, the 12th Street Y, the Association for Negro History, Howard University...most of the buildings and houses from the 1920s still stand (and are well preserved!) so it's easy to imagine what it might be like strolling the "Black Broadway" of U Street, perhaps all dressed up for a movie at the Lincoln Theater, or heading to True Reformers Hall for a concert by Duke Ellington's band. I hope to recreate that earlier time, when American letters were on the cusp of change. This tour is sponsored by Beltway Poetry Quarterly (http://www.beltwaypoetry.com).