Showing posts with label Tess Taylor. Show all posts
Showing posts with label Tess Taylor. Show all posts

Friday, January 17, 2014

Poem of the Week: Tess Taylor

           


Eighteenth Century Remains

            Albemarle County


The ridge a half mile down from Monticello.
A pit cut deeper than the plow line.
Archaeologists plot the dig by scanning

plantation land mapped field
for carbon, ash, traces of human dwelling.
We stand amid blown cypresses.

Inheritors of absences, we peer
into the five-by-five foot ledge.
Unearthed painstakingly, these shards:

two pipe stems, seeds, three greening buttons.
Centuries-old hearthstones are still charred,
as if the fire is only lately gone.

"Did they collect these buttons to adorn?" But no one knows.
"Did they trade, use them for barter?"
Silence again.

Light, each delicate pipe stem,
something someone smoked at last
against a sill-log wall that passed as home,

a place where someone else collected
wedges of cast-off British willowware.
Between vines, a tenuous cocoon.

A grassy berm that was a road.
A swaying clue
faint as relief at finding something left

of lives held here that now vanish off
like blue smoke plumes I suddenly imagine--
which are not, will not, cannot be enough.
 

-Tess Taylor 

Used by permission.
From The Forage House (Red Hen Press, 2013)

Tess Taylor's chapbook, The Misremembered World, was selected by Eavan Boland for the Poetry Society of America's inaugural chapbook fellowship, and her work has appeared in The Atlantic, Boston Review, Harvard Review, The Times Literary Supplement, and other places. She reviews poetry for NPR's All Things Considered. In The Forage House, her first full length book, she examines sometimes painful family and national histories -- looking at what such stories contain, and what they leave out. The San Francisco Chronicle called The Forage House "stunning." The Oxford American says, "On their own, the poems are visceral, densely detailed, and frequently playful... Read together, in order, the details are illuminated by context and gain historical sweep." Taylor has received awards and fellowships from MacDowell, Headlands Center for the Arts, and The International Center for Jefferson Studies. She now lives in El Cerrito, California. 

 
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If you are interested in reading past poems of the week, feel free to visit the blog archive. 

Monday, January 6, 2014

January Sunday Kind of Love: celeste doaks & Tess Taylor


8th Anniversary
Sunday Kind of Love
Featuring

celeste doaks &
Tess Taylor 

    
   

Sunday January 19, 2014

5-7pm
Busboys and Poets
2021 14th St. NW
Washington, DC 20009

Hosted by
Sarah Browning & Katy Richey
$5 online or at the door

As always, open mic follows!
Co-Sponsored by Busboys and Poets
& Split This Rock


Poet and journalist celeste doaks is the recipient of a 2012 Lucille Clifton Scholarship to attend Squaw Valley Writers Workshop. Her work has garnered a variety of accolades including the 2009 Academy of American Poets Graduate Prize and the 2010 AWP WC&C Scholarship; she has also been awarded residencies at Atlantic Center of the Arts and the Fine Arts Work Center in Provincetown. Her journalism has appeared in the Huffington Post,Village Voice,Time Out New York, and QBR (Quarterly Black Book Review). Celeste received her MFA from North Carolina State University in 2010 and is a member of the Carolina African American Writers Collective(CAAWC). Her poems have been published in multiple on-line and print publications such as Asheville Poetry Review, Obsidian, Beltway Poetry Quarterly, and forthcoming in the new anthology Rabbit Ears: TV Poems. Doaks currently teaches creative writing at Morgan State University.


Tess Taylor's chapbook, The Misremembered World, was selected by Eavan Boland for the Poetry Society of America's inaugural chapbook fellowship, and her work has appeared in The AtlanticBoston ReviewHarvard Review, The Times Literary Supplement, and other places. She reviews poetry for NPR's All Things Considered. In The Forage House, her first full length book, she examines sometimes painful family and national histories -- looking at what such stories contain, and what they leave out. The San Francisco Chronicle called The Forage House "stunning." The Oxford American says, "On their own, the poems are visceral, densely detailed, and frequently playful... Read together, in order, the details are illuminated by context and gain historical sweep." Taylor has received awards and fellowships from MacDowell, Headlands Center for the Arts, and The International Center for Jefferson Studies. She now lives in El Cerrito, California.