Wednesday, April 10, 2013

Speak Out Against Proposed DC Arts Funding Cuts!



Despite a $400 million surplus for the District of Columbia, Mayor Vincent Gray's proposed budget cuts $6 million in funding for the arts.

How does this contribute to a rich and vibrant life for our city's residents? In just one example of the difference city funds can make, Split This Rock can now offer after-school poetry clubs in a dozen DC public high schools. Next year? Probably not. Unless we can get the funds restored.

We urge you to take action and protest the mayor's proposed cut by contacting your Councilmembers. Find their contact info here. Tell them to restore arts funding to FY2013 levels!

Remember: the Chairman and at large members represent us all, so please write to them too!

With gratitude, 
Split This Rock 

**

Partner Statement on the Mayor's FY 14 Arts Budget Proposal

The Mayor's FY14 budget proposal includes a $6 million dollar year on year decrease in local funds for the DC Commission on the Arts and Humanities (DCCAH). The DCCAH is a central support for artists, arts education, and arts organizations in the District, and DCCAH grants are essential to the arts in all eight wards. We are outraged at this proposed cut, and ask the Mayor and Council to reconsider, and level fund the DCCAH (at least) for FY14. We call on our communities to take action to protest this cut, and invite participation in DC’s Arts Advocacy Day on April 17, 2013. We also call on our allies in the public, the media, and non-profits, to speak out against the proposed cut.

Sincerely,

Philip Hutinet, East City Art
Robert Bettmann, Day Eight
Jack Hannula, Arts Club of Washington
Joy Austin, Humanities Council of Washington
Shanti Norris, Smith Center for the Arts and Healing
Christie Walser, Project Create   
Rosemary Reed, Double R Productions 
Joshua Simmonds, DC Youth Orchestra Program
Jon Gann, DC Shorts Film Festival
Philippa Hughes, Pinkline Project
Sarah Browning, Split This Rock Poetry Festival
John Cavanagh, Institute for Policy Studies
Andy Shallal, Busboys and Poets
Paul Woodruff, Warehouse Theater
Wanda Aikens, Ward 7 Arts Collaborative

Arts Advocacy Day spokesperson Phil Hutinet, COO of ARCH Development Corporation and Editor-in-Chief of East City Art explains, “The reduction in the DC Commission on the Arts and Humanities’ grant making ability outlined in the Mayor’s proposed budget jeopardizes the vitality and revitalization of neighborhoods by reducing funding for a key component of the city’s infrastructure - the arts. The arts have sparked vitality into many neighborhoods, including H Street NE, East of the River and Brookland. That is not possible without stable funding for the DCCAH."

DC's Arts Advocacy Day is organized by the DC Advocates for the Arts in partnership with the Arts Club of Washington, the DC Youth Orchestra Program, the Humanities Council of Washington DC, the Warehouse Theater, the Pinkline Project, East City Art, DC Film, Ward 7 Arts Collaborative, the Institute for Policy Studies, Split This Rock Poetry Festival, Project Create, Busboys and Poets, Double R Productions, and the Smith Center for Healing and the Arts.

To learn how you can participate in DC's Arts Advocacy Day on April 17, visit http://www.DCAdvocatesfortheArts.org.

Friday, April 5, 2013

Poem of the Week: Dan Vera

            
  Dan Vera     


The Borders Are Fluid Within Us 
 

This is what is feared:
that flags do not nourish the blood,
that history is not glorious or truthful.
  
I sleep and dream in two languages.
I gain wisdom from more than one fountain.
  
I pass between borders
made to control what is owned.
The body cannot be owned.
The land cannot be owned,
only misunderstood or named by its knowing. 


-Dan Vera    

Used by permission.
From Speaking Wiri Wiri (Red Hen Press, 2013) 


Dan Vera is a writer, editor, and literary historian living in Washington, DC. He is the author of the poetry collection The Space Between Our Danger and Delight (Beothuk Books, 2008), and the editor of the gay culture journal White Crane. His second collection, Speaking Wiri Wiri, was the inaugural winner of the Letras Latinas/Red Hen Poetry Prize. His poetry has appeared in various journals including Notre Dame Review, Beltway Poetry, Delaware Poetry Review, Cutthroat, Gargoyle, Little Patuxent Review, Naugatuck River, the anthologies Divining Divas, Full Moon On K Street: Poems About Washington, DC, and DC Poets Against the War. He's the co-creator of the literary history site, DC Writers' Homes, and on the board of Split This Rock. 

Please feel free to forward Split This Rock Poem of the Week widely. We just ask you to include all of the information in this email, including this request. Thanks!

If you are interested in reading past poems of the week, feel free to visit the blog archive.    
 

Wednesday, April 3, 2013

Call for Proposals: 2014 Festival

TT7
 
Split This Rock Poetry Festival: 
Poems of Provocation & Witness 2014

CALL FOR PROPOSALS:
Panel & Roundtable Discussions, Workshops, & Themed Group Readings

DEADLINE: JUNE 30, 2013 
 
Submit via our online form: 

Split This Rock invites proposals for panel and roundtable discussions, workshops, and themed group readings for our fourth national poetry festival, scheduled for March 27-30, 2014, in Washington, DC.

The pioneering poet and activist Adrienne Rich, who died just a few days after the last Split This Rock Poetry Festival, wrote: When poetry lays its hand on our shoulder... we are to an almost physical degree, touched and moved. The imagination's roads open before us, giving the lie to that slammed and bolted door, that razor-wired fence, that brute dictum There is no alternative.

With our world crying out for alternatives, and in honor of Adrienne Rich, we welcome proposals that help us travel the imagination's roads: What is this new world to which we are traveling? How are poets and activists using poetry to get us there? 

We are especially interested in proposals that share lessons from innovative projects at the intersection of poetry and social change; that draw road maps based on the teachings of our foremothers and fathers, living and dead; that help us cross boundaries of all kinds that might be blocking our way along the imagination's highway.

We invite you to read over the schedules of the first three festivals to get a sense of the broad range of topics and approaches that appeal to organizers. Visit www.SplitThisRock.org and click on previous festivals' "Program & Schedule" tabs.


PROPOSAL GUIDELINES
 Sonia Sanchez Split This Rock 2008 Opening
Split This Rock Poetry Festival: 
Poems of Provocation & Witness
 
March 27-30, 2014, Washington, DC

Split This Rock calls poets to a greater role in public life and fosters a national network of socially engaged poets. Building the audience for poetry of provocation and witness from our home in the nation's capital, we celebrate poetic diversity and the transformative power of the imagination.

Split This Rock Poetry Festival invites poets, writers, and activists to Washington, DC, for four days of poetry, community building, and creative transformation. The festival will feature readings, workshops, panel discussions, youth programming, activism - opportunities to imagine a way forward, hone our activist skills, and explore the many ways that poetry can act as an agent for social change. Learn more about Split This Rock and the festival at www.SplitThisRock.org


CHOOSING A FORMAT

Panels/Roundtables - A panel or discussion may consist of 3-4 persons, with one person designated as facilitator. Please tell us what questions you wish to explore: why is this conversation timely and necessary, how will this panel further the goals of Split This Rock? How are the members of your panel uniquely qualified to lead a conversation on your proposed topic? We have a strong interest in interactive conversation and community building, so please describe how you will involve participants in the discussion. 

Workshops - Please tell us exactly what you have in mind for activities and how participants will benefit both at the festival and afterwards. A workshop may be led by one person or collaboratively.

Themed Group Readings - Readings might showcase voices or perspectives that could otherwise be missing from the festival program. Please tell us if there is a coherent theme or organizing principle for your reading that makes it a natural fit for Split This Rock.


COMPLETING THE APPLICATION

This year we have switched to an online submission platform. Simply go to http://splitthisrock.submittable.com and click on the "2014 Festival Panel Proposals" category to submit!   

Please title your proposed event, include brief biographical information for each participant, and provide a description of your event, using the online form.

Please note: Panel presenters must register for Split This Rock Poetry Festival. (Past festival registration has been only $75, with a student rate of $40. Given the ongoing recession, we are hopeful that we won't have to raise rates in 2014.) Scholarships will be available so that all may participate.

There is no limit to the number of proposals you may send, but be sure all proposed presenters have agreed to be part of your panel before you send it to us. Take time to develop your proposal and bear in mind that this is a very competitive process. (In the past we've had to turn away many strong proposals.) We value diversity within the panels, creative ways of interacting, ideas that are new to us. We also value history. Take a look at the schedules of the past three festivals to see what kind of discussions have taken place in the past.


One final note: Split This Rock has a small staff without a lot of time for double-checking information. Please follow these instructions carefully. Remember:
  • Give your proposed event a meaningful name.
  • Provide FULL contact information for all your panelists/facilitators.
  • Remind all panelists/facilitators that they will have to register. Generous scholarship funds will be available; we will post a simple scholarship application when festival registration opens.
  • We regret that we don't have funds to pay panelists and workshop leaders.

Questions? Email us at info@splitthisrock.org. We look forward to reading your proposal! 

Friday, March 29, 2013

Poem of the Week: Jacob Rakovan

Jacob Rakovan     


Hilt's Law 
 

The bones cast in the field like seed corn grow nothing,
grow briars in the boarded gas stations
brown stalks ready for the fire.
You do not hear our song,
earth thick in our throats, benzene, chromium
cadmium and arsenic
shuttered stores,
hosts of dead in cold-mill towns
the day that does not come though prayed for.

The trains of coal and corpses, the price of power
though wires are stretched like a mandolin on our backs
though the saints bob above us like car-lot balloons
You do not hear our singing.
In electric light the bubble gum machine is full of teeth
the babies' bottles with a slow sweet poison
the air thick with cancer, the rain with
teeth, without flowers, without cease.

This dream of sleep, in hunter's orange
over oil-black in cups, in the hollows under eyes.
The unborn sun in the darkest river, the hollow hills
unsong of un-place, Bloody Harlan, Centralia
the blessed fly over in air conditioned comfort.
    
Let the bone-fire of your city burn 'till your shadow stains the bricks 
Let the dark come spilling from the mine thick as molasses
Let the end come if it is coming,
Let the rich hang from their ankles,
a washtub full of black blood.
You do not hear.
 
Let the hills and stones fall on us and cover us
Let those curse us who curse the day, who are skillful
the smelters of iron, and armaments, the hilltop removers.
 
 
Though we are dying, though we breath black dust
and blue powder, spit liquor and blood
the black drink, the earth's secret breath.
Though we are toothless, though we are blind
we hear this:
 
 
Steady trundle of the train under storm clouds
loaded down with malediction,
the radio tower's Babel-bleat to heaven
with the black stone, with the dead for burning 
song of electric light, and sleeplessness.
 
Weariest river at the end of all things 
We follow you into the earth.



-Jacob Rakovan   

Used by permission.


Jacob Rakovan is an Appalachian writer in diaspora. He is a 2011 New York Foundation for the Arts Fellow in Poetry and recipient of a 2013 National Endowment for the Arts Fellowship. His work has appeared in numerous journals including The Dead Mule School of Southern Literature, The James Dickey Review, Anon, Thrush and Phantom Drift: A Journal of New Fabulism as well as anthologies by Salmon Poetry Press, MTV Books and The Arsenic Lobster. His manuscript The Devil's Radio was a finalist for the 2012 Linda Bruckheimer Series in Kentucky Literature and the Gell poetry prize and is forthcoming on Small Doggies Press. He is co-curator of the Poetry & Pie Night reading series in Rochester, New York. 

Please feel free to forward Split This Rock Poem of the Week widely. We just ask you to include all of the information in this email, including this request. Thanks!

If you are interested in reading past poems of the week, feel free to visit the blog archive.   

Friday, March 22, 2013

Poem of the Week: Melissa Tuckey

          
Melissa Tuckey    


Dick Cheney's New Heart Speaks  
 
A roadside bomb is planted in every chest

I was a pea sized fist in the dirt of a man
who had half your brains
but he was good

The heart does not relinquish its domain
Your blood confesses to every crime

Don't expect me to be patient with you

Your DNA has struck a compromise  
with the purgatory of souls

Your fingerprints engraved with
names of the dead

Have a seat Mr. Cheney while
your skin
reads its final testimony 


-Melissa Tuckey  

Used by permission.


Melissa Tuckey is author of Tenuous Chapel, selected by Charles Simic for the ABZ Press first book prize (May 2013) and Rope As Witness (Pudding House Press, 2007). Her honors and awards include a Provincetown Fine Arts Work Center Winter Fellowship, and writing fellowships from DC Commission on the Arts and Humanities and Ohio Arts Council, as well as a residency at Blue Mountain Center.
 
Please feel free to forward Split This Rock Poem of the Week widely. We just ask you to include all of the information in this email, including this request. Thanks!

If you are interested in reading past poems of the week, feel free to visit the blog archive.   

Thursday, March 21, 2013

Speaking Wiri Wiri April 6!

Dan Vera Launches Award-Winning Book 
Speaking Wiri Wiri
  
Saturday April 6, 2013
5-7pm
Busboys & Poets 
1025 5th St. NW
         ........Washington, DC 20001

Join Dan Vera, board chair of Split This Rock, for a book launch and reading from his award-winning book of poems, Speaking Wiri Wiri. 

Winner of the inaugural Letras Latinas/Red Hen Poetry Prize, Dan Vera's Speaking Wiri Wiri is a work of historical insight and wry wit, unexpectedly delightful and full of surprises as it meditates on the challenges of multiple identities, ethnicity, geographies of migration, familial displacement, popular history, and more. Everything is fair game for Vera, who finds poetry in the mundane and the monumental, the hidden lives of iconic television stars and the alternate and accidental histories of Latinos in the United States. Carmen Miranda makes an appearance, as do Captain Kirk, Vladimir Nabokov, and José Martí in a literary landscape careening lyrically between lost and found.
Join us as we toast Dan and celebrate this exciting book of poems!

**
Advance Praise for Speaking Wiri Wiri 

"Speaking Wiri Wiri keeps traveling across the "false borders of men" into "memory of the tongue." These poems-paeans to his Cuban family, heritage, history - testify to the thundering power of words. Whether Spanish, lost and found, or English, familiar and strange, these poems evoke the various ways that language exiles us and embodies the indelible past - who we are, where we came from, how we know. Like Vera's monarch butterfly and Queen Anne's lace - this collection wanders from otro lado to this side and back-defying the impossible logic of fences...." - Valerie Martínez

"These poems are charged with a poignant longing and the kind of humor that grins as it bleeds. Speaking Wiri Wiri is also a careful look at the untraceable impacts of the words that surround us. Each of us-whether we mean to or not-looks back to find out where we are and why we are what we are. Dan Vera's new collection operates as a kind of soulful blueprint for this search." - Tim Seibles

"As a poet driven to reconstruct the fragments of memory, just as an archeologist rebuilds ancient ruins, Vera knows that any possible reconnection to the past depends on a prescient understanding of the copious interplay between language and culture, made more lush still by the mediation of his Romantic imagination. . . Another person would have avoided this agonistic search for his roots (both linguistically and culturally), but Vera chose instead to persevere in connecting with his ancestral homeland, and I can only explain this doggedness as the result of a deep familial bond, an emotional debt that has to be repaid with poetry and poetry alone." - Orlando Menes

Wednesday, March 20, 2013

5 Years Ago Today Split This Rock Touched Down!


Five years ago, on March 20, 2008, I stood on the stage at Bell Multicultural High School in Washington, DC, and welcomed hundreds of poet-activists to the first Split This Rock Poetry Festival: Poems of Provocation & Witness.

We had chosen the date to coincide with the fifth anniversary of the war in Iraq, a war so many of us had opposed, a war which our government waged illegally and immorally despite the opposition of millions throughout the world.

Four essential American poets joined me on the stage that night, E. Ethelbert Miller, Martín Espada, Alix Olson, and Naomi Shihab Nye. 

Today, five years later, we have a different president. US combat troops have left Iraq. But what a country they left behind -- one of the most violent in the world, torn apart by ten years and more of war and occupation. We spent over $1 trillion fighting that war, funds desperately needed for building a just and sustainable society. 

And though major combat has ended in Iraq, our government continues to approach the world through the lens of war, sending drone proxies over Asia and Africa, sending advisers, waging war.

Happily, the poets continue to wage peace. We remember Muriel Rukeyser in her centenary year: "As we live our truths, we will communicate across all barriers, speaking for the sources of peace. Peace that is not lack of war, but fierce and positive."  

Split This Rock marks its 5th anniversary today. We'll be celebrating all year. But for today, on this solemn and joyous anniversary, I offer below my welcoming comments from that first festival, five years ago. The poetry has blossomed, our numbers grow, we are sisters and brothers together. It's been a remarkable five years. Thank you.

- Sarah Browning, Split This Rock Executive Director



E. Ethelbert Miller 
Alix Olson


Martín Espada
Naomi Shihab Nye

Sarah Browning Welcomes the Poet Hordes 
Split This Rock Poetry Festival: Poems of Provocation & Witness
March 20, 2008

Friends – Welcome. Look at all of you – please take a moment and look around at one another – the activists and poets and activist poets and lovers of poetry, gathered from all over this crazy, beleaguered nation for Split This Rock Poetry Festival. You are the most beautiful crowd I have ever seen. Adrienne Rich has a poem that reads:

Poetry means refusing
the choice to kill or die

but this life of continuing
            is for the sane mad
and the bravest monsters

Thank you for being the sane mad and the bravest of monsters.

On this bloody and awful anniversary – five years of a disastrous, illegal, and immoral war – poets have come together to challenge one another and this country to end this appalling war and to dramatically reorder our national priorities. We come together to reclaim our language from the spinmeisters and propagandists who would murder it, who would use it only to pacify the people, to convince us all that perpetual, worldwide, preemptive war is the only alternative.

We come together to imagine all the many alternatives, the rich and varied possibilities of our human experience. We come together to speak for the voiceless, for those who have been silenced by oppressive governments worldwide, including our own, and by that most silencing of forces, despair. We come together to give hope. We come, as one of tonight’s poets, E. Ethelbert Miller, has said, “not with our dirges but our jubilees.”

And so we welcome you to Washington, DC, a city of the most crazy-making contradictions in American life. It is the seat of imperial power, a symbol of wealth and autocratic strength all over the world. But it is also the city with the greatest disparity of wealth of any in the country; the highest child poverty rate, the highest HIV infection rate, the highest adult illiteracy rate. And it is also a city of beauty, of liveliness, of warmth, of a rich and essential tradition of poets who have wrestled with the city, have given voice to its citizens who live here, in the shadow of the Capitol who yet have no one representing them in that building. Yes, Washington DC is still a disenfranchised colonized city.

Poets here have become the unacknowledged legislators – Walt Whitman lived and wrote here during the Civil War, witnessing the horrors of that war. The Harlem Renaissance was born here – yes, New Yorkers, here – with Langston Hughes, Jean Toomer, Alain Locke, and many others writing and publishing early works from that period. Essex Hemphill was the most important Black gay writer of his generation. And these poets of course are part of a long tradition in this country and around the world of poets who work and write in the public sphere, who know that poetry is for everyone, that poetry and the world tussle and jostle and struggle with one another endlessly, attempting a way forward.

Split This Rock builds on this great tradition. We are thrilled that so many poets responded to our call to come together this weekend to demand an end to this war and a dramatic reordering of our nation’s priorities. In the days ahead we’ll experience a real tapestry of poetry – some of the glory that is American poetry at the start of the millennium. We hope to build a lasting network and home for activist poets and we invite you to join us. You’ll be given an evaluation form this weekend – we know these things are awful and hated, but please use this one. Tell us what meant the most to you this weekend and what we can do better next time. But also tell us how Split This Rock might serve your needs in the future as you continue to do the powerful, important work you are all doing in your own communities.

Split This Rock is the result of two long years of dreaming and planning and insanely late nights fueled by chocolate and coffee or chocolate and wine. Many, many people have worked incredibly hard to make it happen. The volunteers have stood up tonight and I add my halleluiahs to the chorus of praise. I also want to thank an incredible coordinating committee and advisory board who have helped to birth this crazy baby from the start. Three people deserve special recognition – they have given their lives over to Split This Rock for months, with no pay and little glory, and I want to thank them with everything that is in me and ask them to stand so we can praise them: My friends, my comrades Melissa Tuckey, Jaime Jarvis, Regie Cabico.

Andy Shallal, the owner of Busboys and Poets, has also believed in Split This Rock and supported it with all the power of his considerable energy and resources. There would be no Split This Rock without Busboys and Poets. Thank you.

The gorgeous slideshow of socially engaged poets that was playing at Busboys this afternoon is by Lynda Koolish, who flew all the way from California to share that with us and to document the festival. Lynda, please take a bow.

I also want to take a moment to honor and call out the poet Sam Hamill, who was supposed to have been with us reading tonight. Most of you know that Sam is a huge part of the reason we are all here together this weekend. Five years ago, he challenged poets to speak out against the impending war and he galvanized poets as never before. DC Poets Against the War and all of our organizing that has led us here results from Sam’s clear vision and dedication to the public role of poets and poetry. Sadly, Sam had a mild heart attack last week – he’s alright – he’s had angioplasty and is already up and walking around. But he obviously couldn’t travel. He is very very sad to miss this week and he sends you all greetings and warm wishes. Stephen Kuusisto is reading tomorrow night at 5 pm here and will be reading two poems that Sam sent so that he could be here with us in spirit. Please come back tomorrow at 5 to hear those poems.