Wednesday, June 11, 2014

Response to Split This Rock-Initiated Call for a Poet Laureate of Color

We received the following letter yesterday from Rob Casper, Head of the Poetry & Literature Center at the Library of Congress, which is responsible for the Poet Laureate position.

Rob's letter is in response to the Open Letter Split This Rock initiated, urging the Librarian of Congress, Dr. James Billington, to appoint a person of color as the next Poet Laureate. 

The announcement will be made on Thursday this week and we don't know who Dr. Billington has chosen. Unfortunately, too, it appears that Dr. Billington had already made his choice when he received our letter. However, we're glad to have raised this critical issue and are confident that the voices of all the signatories will be heard in the future, as Rob indicates at the end of the letter.

We're putting our heads together about how to proceed and we want to hear your thoughts. Email us ideas for further activism at info@splitthisrock.org. And thanks to all who signed and spread the word!

Sarah Browning
Executive Director
Split This Rock
**
  

Dear Sarah Browning,

Thank you for your letter to James H. Billington, Librarian of Congress, about the selection of the next Poet Laureate Consultant in Poetry. Thank you also for your public support of our two past Poets Laureate.

I wanted to reply on behalf of the Library to you and the signees of your letter. If you could, please forward this response on to them, and feel free to post this on your website as well.

I think of you and the signees of your letter as my peers, and I feel a strong connection to the work you do collectively to champion poetry across the country. The Poetry and Literature Center has recently partnered with various outside organizations to expand the poets and poetry we present. For instance, we have worked with Letras Latinas on a host of public programs as well as a series of interviews titled “Spotlight on U.S. Hispanic Writers” (online at http://www.loc.gov/poetry/hispanic-writers/). I am also proud of our new “Asian American Literature Today” series and our work with the Library’s “Area Studies” divisions―African and Middle Eastern, Asian, European, and Hispanic―and with outside organizations such as the Africa Society of the National Summit on Africa and various embassies, to feature writers from around the world. And I am thrilled we are working with Split this Rock to launch the first-ever poetry slam at the National Book Festival this August.

The Poetry and Literature Center assists the Librarian of Congress in the selection process for the Poet Laureate Consultant in Poetry position. The position was created by an act of Congress, Public Law 99-194, which states: “Individuals are appointed to the position of Consultant in Poetry by the Librarian of Congress for one- or two-year terms solely on the basis of literary merit.” Since I have worked at the Library, we have conducted two surveys to begin this process: in 2011 for the 18th Poet Laureate and recently for the 20th Poet Laureate, asking fifty nominators from 24 different states, including the current and nine former Poets Laureate, as well as critics, scholars, lit org directors/literary presenters, and bookstore owners. I was happy you agreed to serve as a nominator for this year’s survey. We asked nominators who we felt would put forth the widest range of poets in terms not only of race, but also of gender, sexual orientation, and class, as well as aesthetic and regional diversity from across the country.

Once we compiled a list of nominees, I assisted the Librarian of Congress as he worked to select this year’s Laureate. This law is the result of former Congressman Matsunaga’s efforts, as you say, and was signed into law by Congress―the body that oversees the Library. I feel it is our duty to follow the letter of the law as closely as possible, with the knowledge that “literary merit” can mean different things to different people. To me the term strongly but not exclusively suggests a body of work that has received the highest levels of recognition. The Librarian of Congress is ultimately responsible for the selection, and he consults other experts in the field. I can tell you that the Librarian is arguably the best reader of poetry I have met, who is not part of the field. He is well-versed in English, American, and Russian poetry, and has memorized more of all three than most poets I know have of one. He has an ear for lyricism and a keen sense of craft, and he understands the fundamental work of poetry is to challenge and expand the use of language in ways that have enduring value. He is also supportive of contemporary American poetry and receptive to the great variety of its best efforts.

Before we received your open letter, the Librarian had already selected the 20th Poet Laureate Consultant in Poetry. However, I will refer to your letter, and to the results of our survey―which includes the names of some 76 poets, 21 with more than one vote―for the Poet Laureate selection process in the near future. We did this with the 2011 list, when the Librarian appointed Natasha Trethewey to the position. In my current position, with the Library’s mission to “further the progress of knowledge and creativity for the benefit of the American people” as my charge, I will continue to champion the great wealth of American poetry. I look forward to working with you and with the signees of your letter.

Sincerely,
Rob Casper



Robert Casper
Head, Poetry and Literature Center
101 Independence Ave., S.E.  |  Washington, DC 20540-4860
P: (202) 707-1308  |  F: (202) 707-3595  |  E: roca@loc.gov


Tuesday, June 10, 2014

THE 2014 FESTIVAL FEEDBACK IS IN...

AND WE'RE THANKFUL!




We asked what participants thought of Split This Rock Poetry Festival 2014 and 124 of you told us! Over 70% of those of you who took our survey were first time attendees so we got feedback from fresh eyes. What’s overwhelmingly clear is that you enjoyed the festival:  the variety, the staff and volunteers, the atmosphere, the diversity, and most of all: THE POETRY.  

It has been so affirming to read your words describing your experience of the festival:  “I felt safe…I felt kinship… I felt challenged.”; “..the festival helped me quiet the voice that warns me against being too overtly political in my poems…”; “I felt called to account in the best possible way…”; “…[it] re-invigorated me to get down to business and write.”  

When we review the numbers, it warms our hearts to know the festival has inspired so many of you to write (86.2% of respondents) and to use poetry to take action on issues important to you (73.3% of respondents). We love that the featured readings, warmth and diversity of the festival met or exceeded the expectations of most of you and that we only fell short of the expectations of 3 people. Even still, we’re committed to making the festival better and better so we are thankful for each and every suggestion for improvement.

  
Here are some things you suggested that we’ll be working on:

More Writing Workshops, More Interactive Sessions: Over and over, in response to many different questions, you told us you want more opportunities to write and to engage with other people during festival sessions. As we draft the 2016 call for proposals, we’ll add some extra emphasis that this is not an academic festival and we place high priority on interactive sessions that include discussion time. When we decide which sessions to include for 2016, we’ll be looking for unique writing workshop proposals to balance our readings and panel discussions. We’ll be on the lookout for sessions that model what you said you enjoyed most: sessions that allow time for interaction and discussion, that offer tangible take-aways, that include inspiring poetry, that deepen knowledge and awareness, and that offer rare opportunities – whether that be because of the topic raised or the voices represented.

Human Rights Campaign (HRC): Several of you told us it was uncomfortable being at the HRC given that the organization has a corporate donor that manufactures drones and has a reputation among some for excluding transgender issues. We hear your concerns and our contact at HRC wants to hear them too.  All the feedback you’ve shared with us, we’ve shared with HRC.

Venues in General: While the large majority of you thought highly of our venues and how close they were to one another, we’ll be considering ways to work out the kinks you pointed out. For 2016, we’ll come up with some strategies to address the overly crowded rooms, the noisiness of registration being so close to spaces where sessions are held, the accessibility issues at the Institute for Policy Studies, and the difficulty some had finding their way to the Wilderness Society.  We’ll also plan to have more signage to help you get around and to let you know when sessions are cancelled.

Book Fair: While mostly satisfied with the book fair in terms of its timing, books available for purchase, information shared by exhibitors and level of exposure to new organizations, many of you tell us you wanted more exhibitors, more variety, less noise and more space so it’s not so crowded. You've given us some goals to strive for!

Offensiveness: We were saddened to learn that a couple of you had experiences that were offensive to you. Please know we are taking those situations into consideration and appreciate your honest sharing.

Public Action: The majority of the 15 people who took the survey and attended the public action felt that it was an effective and meaningful way to use poetry to take action in regard to government surveillance. Some survey takers expressed a desire for more people to participate. We’d like that as well! We wonder why more people didn't participate and welcome those who didn't attend to let us know what kept you away by emailing your thoughts to camisha@splitthisrock.org. In the meantime, as we plan for the next festival, we’ll be considering the feedback we've already received such as providing a more collaborative process prior to the public action, perhaps closer to the festival venue.

Pop-Up Café: This was our first year including a pop-up café in the festival. Only 32 of our survey takers patronized the pop-up and another 15 people told us they weren't even aware that there was a pop-up café. While 10 people said they enjoyed the coffee, many of you said you wanted the café to be open longer and for it to provide more variety of coffee, tea and food. So, this gives us some things to improve for 2016.

Late Night Activities: Many of you were too tired to attend late night activities at the festival but those who did primarily offered suggestions for improvement related to the Saturday night social. We hear it was too crowded and people wanted to dance. We’ll work on that!

Your Suggestions: We were thrilled with all of your suggestions for featured poets and sessions. We also now have a nice list of alternate housing options and a t-shirt company to look into. You’ve given us so much to consider!

We thank you for your thoughtful contributions to our 2016 Split This Rock Poetry Festival. I’d especially like to thank those of you who took the extra time to fill out most of the comment sections. I know that made the survey quite long – which is another thing we’ll work on for 2016. Please know we have heard you. Now, onto planning the very best 2016 festival we can! 


In Poetry & Activism,
Camisha L. Jones
Split This Rock Managing Director

Friday, June 6, 2014

Poem of the Week: Patricia Davis

Patricia Davis head shot


I Will Tell Her about Icarus



about his sister how she
       wanted
to be light

built night in her ribs
       cage strangled
the moon how a fine

down feathered her
       crept from sternum
to navel

how her foot
       bones ached
from the ground

when a woman
       is left with no
wings

when she forgets
       to counsel
her shadow

forgets to wind it
     out like lace
when the sky

is too blank too
     wide she might
make blades

of her shoulders
     raise ridges of bone
wait to fledge

Jesus humble
       poor despised
would be a woman

today obese in white pants
    butt dimples
pocking the fabric

Jesus crucified
       a woman
young pockets

and mind full of riches
     silent
angling a mirror

to see how her
     butt might be
taken

how hunger
     could make it
lovely bearable

vanish
     I will tell
my daughter so

she knows
     her body the body
of every woman

is sun
   seedbed
doorway

the body
     of every woman
is God
 
  
-Patricia Davis   
  
Used by permission.
  
  
Used by permission.
From The Water that Broke You (Finishing Line Press 2014)
  
Patricia Davis' poems have appeared in Poet Lore, Salt Hill, Spoon River Poetry Review, the Atlanta Review, Quiddity, Adrienne Rich: A Tribute Anthology, and Smartish Pace, which named her a finalist for the Beullah Rose Poetry Prize. Her translations of Cuban poetry have been published in Spoon River Poetry Review, Puerto del Sol, and the New Laurel Review

Please feel free to forward Split This Rock Poem of the Week widely. We just ask you to include all of the information in this email, including this request. Thanks!
  
If you are interested in reading past poems of the week, feel free to visit the blog archive. 

Wednesday, June 4, 2014

Split This Rock in BPJ Summer '14

Split This Rock Poetry Festival reviewed 
in the Summer 2014 Issue of
Beloit Poetry Journal

Photo by Randi Ward

Our good friends at the Beloit Poetry Journal have just released a powerful summer issue including new work from Michael Broek,  Jessica Jacobs, Peter Leight, Laura McCullough, Liz Robbins, and Randi Ward's translations of the Faroese poet Tóroddur Poulsen. Ward's photos from the Faroese whale hunt are featured on the cover and back cover.

We were also delighted to see that editor John Rosenwald’s overview of the Split This Rock Poetry Festival, in light of the revival of oral poetry, concludes the issue.

“Split This Rock has moved beyond its first days, both physically and creatively. But the fundamentals remain the same: political commitment, the oral tradition, joining forces in the belly of the beast. Whether it manifests as the generation of Kinnell and Sanchez or the dozens of young slam poets who energized the stage without being on it, Split This Rock, simply, rocks.”

You can read the full review here.
Subscribe to BPJ get your copy of this issue today!

Monday, June 2, 2014

Sunday Kind of Love: Bas Böttcher & Regie Cabico




Sunday Kind of Love

presents
a Celebration of 20 Years of Slam Poetry
in Germany with



Bas Böttcher 

&

Regie Cabico  


Sunday June 15, 2014

5-7pm
Busboys & Poets
2021 14th St. NW
Washington, DC 20009

Hosted by
Sarah Browning & Katy Richey
$5 online or at the door


As always, open mic follows!
Co-Sponsored by
Busboys and Poets,
Split This Rock &
The Goethe-Institut DC



Bas Böttcher is one of the first to bring slam to the German-speaking stage and the 1997 German Slam Poetry Champion. Böttcher utilizes a dynamic, rhythmic form of poetry, direct and driven by the sound and melody of the language. His poetry shows sophistication, accurate choice of language and style, and highly developed linguistic skills. Böttcher simultaneously introduced rap into the German poetry scene and exposed hip-hop to more lyrical elements. Today slams in Berlin and urban metropolises of North Rhine Westphalia attract huge crowds that generate an impressive roster of new poetry stars. Böttcher's visit to Washington celebrates twenty years of slam poetry in Germany.  



Regie Cabico is one of the country's leading innovators and pioneers of poetry and spoken word, having won 3 top prizes in the 1993, 1994 & 1997 National Poetry Slams. Bust Magazine ranked him in the 100 Men We Love, and The Kenyon Review called him "the Lady Gaga of Poetry." He won a 2006 Best Performance Art Production award for his work on "Too Much Light Makes The Baby Go Blind." He has appeared on two seasons of HBO's Def Poetry Jam and NPR's Snap Judgement. His work is published in over 40 anthologies including Aloud: Voices from the Nuyorican Poets Café, Spoken Word Revolution, & The Outlaw Bible of American Poetry. He has taught at Urban Word NYC, Poets House, Kundiman, and Split This Rock, and has served as faculty at Banff Arts Center's Spoken Word Program. Regie curates and co-hosts La Ti Do: A Weekly Cabaret & Spoken Word Series. He received the Writers for Writers Award for his work with at-risk youth from Poets and Writers. With Brittany Fonte, he co-edited a collection of North American and United Kingdom queer poetry, Flicker and Spark, a 2014 Lambda Literary Award Nominee for Best Anthology.





Bas Böttcher photo by Felix Warmuth
Regie Cabico photo by Les Talusan

"Split This Rock has changed our lives."-- Amina Iro, DC Youth Slam Team Member

Don't just take our word -- see for yourself how two members of the DC Youth Slam Team, Hannah Halpern & Amina Iro, have benefited from the program in the short video below!
 
How Hannah + Amina Met: Poetry for the People of DC
How Hannah + Amina Met:
Poetry for the People of DC

Here at Split This Rock we are committed to fostering the voices of the next generation of poets. Our youth programs operate year-round to offer exceptional writing and performance opportunities to young people interested in the power of language.

Through programs like the DC Youth Slam Team, teens from all quadrants of the city and surrounding area, from all backgrounds and walks of life, unite with poetry.

The bond between Hannah and Amina is only one example of the transformative relationships that are fostered in this program year after year.
At Split This Rock we value the power and perspective of our youth and are committed to their growth.  

Our youth programs have helped Amina achieve a full-tuition scholarship to University of Wisconsin-Madison, under their First Wave Program. Malachi Byrd will be heading to Princeton in the fall on another full-tuition scholarship. And Ayinde Grimes is off to Morehouse College, also on scholarship.   

Won't you consider a gift to help us ensure this vital programming will be available to area youth for years to come?
  
Remember -- your gift of $250 or more gets you the Collector's Edition of the March issue of Poetry magazine, signed by all 16 of the 2014 festival featured poets.

Split This Rock counts on its passionate family.  
Contribute today online. Or you can send a check made out to Split This Rock to: 

1112 16th Street, NW
Suite 600
Washington, DC 20036

Do it for the youth!  

With gratitude,
Split This Rock & the DC Youth Slam Team  

Friday, May 30, 2014

Poem of the Week: Keith Jarrett

Keith Jarrett -
Keith Jarrett - "A Gay Poem"

  
Keith Jarrett lives in London, England. A former London and UK poetry slam champion, he writes performance poetry and short fiction and teaches as part of a pioneering Spoken Word Educator programme. He is also working on his first novel, a tale written partly in verse. 

Please feel free to forward Split This Rock Poem of the Week widely. We just ask you to include all of the information in this email, including this request. Thanks!
  
If you are interested in reading past poems of the week, feel free to visit the blog archive.