Monday, November 9, 2009

Kathi Wolfe in the LA Times: An Editorial on Hate Crimes Legislation

The following is an excerpt from Kathi Wolfe's editorial on President Obama's recent signing into law of the Matthew Shepard and James Byrd, Jr. Hate Crimes Prevention Act. Read the full article here.

In 1999, Eric Krochmaluk, a man with intellectual disabilities from Middletown, N.J., was kidnapped, choked, burned with cigarettes and abandoned in a forest.

Some people worry that the recently signed hate crimes law will inhibit free speech by making it possible to prosecute an individual on the basis of his or her beliefs or speech. Yet, the legislation has provisions that ensure that prosecution would be based only on violent acts based on bias.

Disabled or gay, lesbian, bisexual or transgender people don't want to hinder freedom of speech. We just don't want to become the victims of hate crimes.

No one will be prosecuted simply for exercising the freedom of speech. And that is how it should be, even if that speech is ugly and bigoted.

But once someone commits a violent crime against us because of who we are, that person's bigoted intentions ought to be penalized. Judges and juries, at sentencing, often take into consideration the frame of mind of the criminal. They should do so with these crimes, too. The community has a right to say that bigoted violence is especially corrosive.

The Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act won't end bias-based crimes. But it will put everyone on notice that such crimes will not be tolerated.

And for those of us who are vulnerable, it makes us a little less fearful today than we were yesterday.

That's something that all Americans should celebrate.


Kathi Wolfe is a poet and writer for Progressive Media Project, a source of liberal commentary on domestic and international issues; it is affiliated with The Progressive magazine.

Wednesday, November 4, 2009

Split This Rock Poem-of-the-Week: Natalie Illum








IV. Wheel Spinning

for LAVA

The first time I saw these activists turned
acrobats, I was immobilized as they arched
through hoops, twisting like DNA.
These bodies in strength formations
invoking geology. They carry

something sacred and fragile, bypassing
fear. I hitchhiked, feverish as we journey
without a roadmap to the core.

I could feel motion as though
it were my own, a brief symbiosis.

And even though I shouldn’t, I go back
to rubber necking the crash site
of my own body, mesmerized
by how it flew.

You said that accomplishment is just that,
a simple stretch that grows in your own mind
to mean more. It’s a two minute airplane ride,
three bodies regrouping, prone
on a leather bar floor because we believe
in each other, because

we are all crippled by the world we walk in.
The way experience aligns us into living poems:

land masses of tears, beaches made beautiful
in our mind’s eye. Tonight, it’s just
one fear conquered,
one wound buried,
the ligaments of us
extended and holding. And that is everything.

- Natalie Illum

Excerpt from “After Brand New Highway” from On Writer’s Block and Acrobats (2006), used by permission.

••••

Natalie Illum is an activist, writer and federal employee. Natalie is a founding board member of mothertongue and promotes queer and marginalized writers, musicians, and artists through 3Word Productions. She also facilitates poetry and activism workshops in a variety of community venues. Natalie is in the process of adapting her unpublished memoir, Spastic, to the stage with the help of renowned performance poet and director Regie Cabico. She is currently ranked 25th at the Women of the Worlds Poetry Slam.

••••

Illum will be featured at Split This Rock Poetry Festival: Poems of Provocation & Witness, March 10-13, 2010, in Washington, DC. The festival will present readings, workshops, panel discussions, youth programming, film, activism - four days of creative transformation as we imagine a way forward, hone our community and activist skills, and celebrate the many ways that poetry can act as an agent for social change. For more information: info@splitthisrock.org.

Please feel free to forward Split This Rock Poem-of-the-Week widely. We just ask you to include all of the information in this email, including this request. Thanks!

Split This Rock
www.splitthisrock.org
info@splitthisrock.org
202-787-5210

Thursday, October 29, 2009

November Sunday Kind of Love - Sunday the 15th, Featuring Tara Betts and Luis Alberto Ambroggio with translator Yvette Neisser Moreno

Sunday Kind of Love
Third Sundays of the Month,
4 pm Busboys & Poets
14th & V Streets, NW, Washington, DC

Hosted by Katy Richey and Sarah Browning
Cosponsored by Busboys and Poets and Split This Rock
Open Mic at each event! – Admission free, donations encouraged
For more info: BusboysandPoets.com
info@splitthisrock.org
SplitThisRock.org, 202-387-POET

Sunday, November 15, 2009, 4-6 pm
Tara Betts and Luis Alberto Ambroggio with Translator Yvette Neisser Moreno

Luis Alberto Ambroggio, originally from Argentina, is author of 11 collections of poetry published in Spain, Latin America, and the United States. The North American Academy of the Spanish Language has recently released a book on his poetry, El cuerpo y la letra (The body and the letter). His poetry has been translated into several languages and has appeared in numerous newspapers, magazines, anthologies, and textbooks in the US and abroad. His poetry has been recorded in the Archives of Hispanic Literature of the U.S. Library of Congress.

PAISAJES DE USA by Luis Alberto Ambroggio

Si cada ladrillo hablara;
si cada puente hablara;
si hablaran los parques, las plantas, las flores;
si cada trozo de pavimento hablara,
hablarían en español.

Si las torres, los techos,
los aires acondicionados hablaran;
si hablaran las iglesias, los aeropuertos, las fábricas,
hablarían en español.

Si los sudores florecieran con un nombre,
se llamarían González, García, Rodriguez o Peña.

Pero no pueden hablar.
Son manos, obras, cicatrices,
que por ahora callan.

Yvette Neisser Moreno is a poet and translator whose work has appeared in numerous magazines and anthologies, including The International Poetry Review, The Potomac Review, Tar River Poetry, and Virginia Quarterly Review. Her critical work on (and translations of) Israeli and Palestinian poetry have been published in the Palestine-Israel Journal. Moreno teaches poetry and translation at the Writer’s Center and has taught poetry in public schools in Maryland, Virginia and Washington, D.C.

U.S. LANDSCAPES

If each brick could speak;
if each bridge could speak;
if the parks, plants, flowers could speak;
if each piece of pavement could speak,
they would speak Spanish.

If the towers, roofs,
air conditioners could speak;
if the churches, airports, factories could speak,
they would speak Spanish.

If the toils could bloom with a name,
they would be called González, García, Rodriguez or Peña.

But they cannot speak.
They are hands, works, scars,
that for now keep silent.

Translation of the above poem by Luis Alberto Ambroggio. Translated by Yvette Neisser Moreno. From Difficult Beauty, published by Cross-Cultural Communications; used by permission of the author and translator, Yvette Neisser Moreno.

Tara Betts is the author of Arc and Hue, a Cave Canem fellow, and a graduate of the New England College MFA Program. Her work appears in numerous anthologies and journals such as Ninth Letter, Callaloo, Hanging Loose, Gathering Ground, Bum Rush the Page, and both Spoken Word Revolution anthologies. She represented Chicago twice at the National Poetry Slam, coached youth who went on to Brave New Voices, and appeared on HBO's "Def Poetry Jam". She currently teaches at Rutgers University and leads community-based workshops.


ERASURE by Tara Betts

Every face slowly dropping out of the world
like they never had breath, laughter or tears.
Chunks of history scooped out of the book of life,
burned for kindling, tossed into landfills
buried in chips from obsolete computers.

Too many bodies have been drawn
into centrifugal black holes, never to be seen
before they come clearly into view.

There must be some weathervane willing
to announce a shift in the wind.
There must be a gust of hands willing to turn
the rooster’s iron head away from absence.

History is pulled from my mouth
slow as a string of pearls, one bead at a time.
I stock the shelves with more substance than
porcelain figurines. I am raising my fists,
bareknuckled, tangling with omission.
Or it is an embrace caught again and again
between my fingers.

From Arc and Hue, published by Willow Books; used by permission of the author.

Wednesday, October 28, 2009














Looking Back on the Muckleshoot Reservation from Galisteo Street, Santa Fe

The bow of a Muckleshoot canoe, blessed
with eagle feather and sprig of yellow cedar,
is launched into a bay. A girl watches
her mother fry venison slabs in a skillet—
drops of blood sizzle, evaporate. Because
a neighbor feeds them, they eat wordlessly;
the silence breaks when she occasionally
gags, reaches into her throat, pulls out hair.
Gone is the father, riled, arguing with his boss,
who drove to the shooting range after work;
gone the accountant who embezzled funds,
displayed a pickup, and proclaimed a winning
flush at the casino. You donate chicken soup
and clothes but never learn if they arrive
at the south end of the city. Your small
acts are sandpiper tracks in wet sand.
Newspapers, plastic containers, beer bottles
fill the bins along this sloping one-way street.

- Arthur Sze

From The Ginkgo Light, (Copper Canyon Press, 2009), used by permission.

····
Arthur Sze is the author of nine books of poetry, including The Ginkgo Light (2009),
Quipu (2005), The Silk Dragon: Translations from the Chinese (2001), and The Redshifting Web: Poems 1970-1998 (1998), all from Copper Canyon Press. He is also the editor of Chinese Writers on Writing (forthcoming from Trinity University Press in 2010). He is a professor emeritus at the Institute of American Indian Arts and lives in Santa Fe, New Mexico, where he served, from 2006 to 2008 as the city’s first poet laureate.
····
Sze will be featured at Split This Rock Poetry Festival: Poems of Provocation & Witness, March 10-13, 2010, in Washington, DC. The festival will present readings, workshops, panel discussions, youth programming, film, activism - four days of creative transformation as we imagine a way forward, hone our community and activist skills, and celebrate the many ways that poetry can act as an agent for social change. For more information: info@splitthisrock.org.
Split This Rock is co-sponsored by the Institute for Policy Studies, the country’s oldest multi-issue progressive think tank.


Please feel free to forward Split This Rock Poem-of-the-Week widely. We just ask you to include all of the information in this email, including this request. Thanks!


Split This Rock
http://www.splitthisrock.org/
info@splitthisrock.org
202-787-5210


Tuesday, October 27, 2009

Upcoming November Events

Two upcoming events sponsored by Split This Rock:





Poets in the (Think) Tank: ROCKPILE Symposium
Cosponsored by Split This Rock and the Institute for Policy Studies

Tuesday, November 3, noon-1:30 pm
Brown bag lunch
The Institute for Policy Studies
1112 16th Street, NW, Suite 600
Washington , DC
Farragut North or Farragut West Metro
For more info: info@splitthisrock.org, 202-787-5210

In anticipation of what is sure to be a music and poetry extravaganza at Busboys and Poets November 4, ROCKPILE artists David Meltzer and Michael Rothenberg host an open discussion on Art and Activism, Poetry, Music and The Troubadour Tradition, Censorship and The Academy, Community and Collaboration. With additional guest poets to be announced.

ROCKPILE is a collaboration between David Meltzer, legendary poet, musician, and essayist, and Michael Rothenberg, poet, songwriter and editor of Big Bridge Press. In the tradition of the troubadour and with the spirit of improvisation and collaboration, the duo will journey through eight U.S. cities and perform poetry, composed on the road, in a spontaneous fusion with local musicians in each city. Washington DC is the 4th stop of the ROCKPILE journey.

David Meltzer was an important figure in the 1950s San Francisco Renaissance and appeared in Donald Allen’s “The New American Poetry,” a seminal work of that era. “Beat Thing” a book-length, poetic journal, published by La Alameda Press in 2004, won the Josephine Miles PEN Award in 2005. His books, Reading Jazz, Writing Jazz and No Eyes, Lester Young all reflect his deep connection and dedication to music throughout his career. His complete publication history is at http://meltzerville.com/.

Michael Rothenberg is a poet, songwriter, and editor and publisher of Big Bridge magazine online at www.bigbridge.org. His poetry books include The Paris Journals (Fish Drum Press), Monk Daddy (Blue Press), Unhurried Vision (La Alameda/University of New Mexico Press) and most recently CHOOSE, Selected Poems (Big Bridge Press). He is also editor for the Penguin Poet series, which includes selected works of Phillip Whalen, Joanne Kyger, David Meltzer and Ed Dorn. He has recently completed the Collected Poems of Phillip Whalen for Wesleyan University Press. Complete publication history can be found at http://epc.buffalo.edu/authors/Rothenberg m/

******************************

Split This Rock and The Writer’s Center present:

The Earth in the Attic by Fady Joudah
A Poetry Discussion
Discussion led by poet and translator Yvette Neisser Moreno

Thursday, November 19, 7 pm
The Writer’s Center
4508 Walsh Street, Bethesda , MD
(5 blocks south of Bethesda Metro)
301-654-8664
Free and open to the public. The Writer’s Center is wheelchair-accessible.

The Earth in the Attic is available for purchase for $16 at The Writer’s Center and Busboys and Poets.


Fady Joudah—an award-winning poet, translator of Mahmoud Darwish, and member of Doctors without Borders—will be a featured poet at the 2010 Split This Rock Poetry Festival. The Earth in the Attic won the Yale Series for Younger Poets in 2007.

Monday, October 26, 2009

Split This Rock 2010 Poetry Contest

Split This Rock 2010 Poetry Contest
Benefits Split This Rock Poetry Festival - Washington, DC, March 10-13, 2010
$1,000 awarded for poems of provocation & witness
Chris Abani, Judge
Deadline: January 4, 2010

Prizes: First place $500; 2nd and 3rd place, $250 each. Winning poems will be published on www.SplitThisRock.org, winners will receive free festival registration, and the 1st-place winner will be invited to read winning poem at Split This Rock Poetry Festival, 2010.

Deadline: January 4, 2010 (postmark)
Reading Fee: $25, which supports Split This Rock Poetry Festival

Details:
Submissions should be in the spirit of Split This Rock: socially engaged poems, poems that reach beyond the self to connect with the larger community or world; poems of provocation and witness. This theme can be interpreted broadly and may include but is not limited to work addressing politics, economics, government, war, leadership; issues of identity (gender, sexuality, race, ethnicity, disability, body image, immigration, heritage, etc.); community, civic engagement, education, activism; and poems about history, Americana, cultural icons.

Split This Rock subscribes to the Council of Literary Magazines and Presses Contest Code of Ethics. Read it online here.

Submission guidelines:
Send up to 3 unpublished poems, no more than 6 pages total, in any style, in the spirit of Split This Rock (see above). Postmark deadline: January 4, 2010

Include one cover page containing your name, address, phone number, email, and the titles of your poems. This is the only part of the submission which should contain your name.

Enclose a check or money order for $25 (made out to "Split This Rock") to:
Split This Rock Poetry Contest
1112 16th Street NW, Suite 600
Washington, DC 20036

Simultaneous submissions OK, but please notify us immediately if the poem is accepted elsewhere. For more information, info@splitthisrock.org, www.SplitThisRock.org

Chris Abani will be featured at Split This Rock Poetry Festival 2010. His poetry collections are Hands Washing Water (Copper Canyon, 2006), Dog Woman (Red Hen, 2004), Daphne's Lot (Red Hen, 2003), and Kalakuta Republic (Saqi, 2001). His prose includes Song For Night (Akashic, 2007), The Virgin of Flames (Penguin, 2007), and Becoming Abigail (Akashic, 2006). He is a Professor at the University of California, Riverside, and the recipient of many awards including the PEN USA Freedom-to-Write Award, a Lannan Literary Fellowship, a Hurston/Wright Legacy Award, a PEN Beyond the Margins Award, and a Guggenheim Award.

Split This Rock Poem-of-the-Week: Jan Beatty


Jan Beatty

Zen of Tipping

My friend Lou
used to walk up to strangers
and tip them - no, really -
he'd cruise the South Side,
pick out the businessman on his way
to lunch, the slacker hanging
by the Beehive, the young girl
walking her dog, and he'd go up,
pull out a dollar and say,
Here's a tip for you.
I think you're doing a really
good job today.
Then Lou would
walk away as the tipee stood
in mystified silence. Sometimes
he would cut it short with,
Keep up the fine work.
People thought Lou was weird,
but he wasn't. He didn't have much,
worked as a waiter. I don't know
why he did it. But I know it wasn't
about the magnanimous gesture,
an easy way to feel important,
it wasn't interrupting the impenetrable
edge of the individual - you'd
have to ask Lou - maybe it was
about being awake, hand-to-hand
sweetness, a chain of kindnesses,
or fun - the tenderness
we forget in each other.

- Jan Beatty

From Boneshaker, (University of Pittsburgh Press, 2002), used by permission.

····
Jan Beatty is the author of three books, Red Sugar, Boneshaker, and Mad River (winner of the1994 Agnes Lynch Starrett Prize), all published by the University of Pittsburgh Press. Beatty has worked as a welfare caseworker, an abortion counselor, as a waitress, and in maximum-security prisons. She hosts Prosody, a public radio show on NPR-affiliate WYEP-FM featuring the work of national writers, and directs the creative writing program at Carlow University, where she runs the Madwomen in the Attic writing workshops and teaches in the low-residency MFA program.
····
Beatty will be featured at Split This Rock Poetry Festival: Poems of Provocation & Witness, March 10-13, 2010, in Washington, DC. The festival will present readings, workshops, panel discussions, youth programming, film, activism - four days of creative transformation as we imagine a way forward, hone our community and activist skills, and celebrate the many ways that poetry can act as an agent for social change. For more information: info@splitthisrock.org.