Friday, May 1, 2015

Poem of the Week: Lee Sharkey

Photo of Lee Sharkey 

Man on a Sofa

 --for Henry Braun

A man is lying on a sofa.

The man has been reading.

He has laid down the book beside him.

The man's form is waiting to be occupied.

Give him a name, Henry, say; look how the form fills in,

as if you could read, in Henry's limbs,

in Henry's countenance,

Henry's dreams dancing in his head.

The book by his side is Henry's companion.

The book beside Henry is writing itself as we speak.

Meanwhile, a night-dark form in the shape of a man has occupied the sofa.

Somehow it has taken the place of the man,

the man we call Henry.

Pick up the book the absence of Henry was reading.

The book is night-dark and brilliant.

The book is writing itself as we read.

Maybe, the book says, Henry has gone for a walk in the woods

and found a small patch of small green lilies.

Maybe, the book says, Henry has set off the New World with his backpack.

The absence of Henry stirs in its sleep.

Used with permission.

Lee Sharkey is the author most recently of Calendars of Fire (Tupelo Press 2013) and A Darker Sweeter String (Off the Grid Press 2008), of which Maine's Poet Laureate Betsy Sholl says, "If our dreams could edit the news (and sometimes our nightmares) these poems are how they'd wake us up to the urgency of our times." Her poem sequence To A Vanished World (Puckerbrush Press 1997) was written in response to Roman Vishniac's photographs of Eastern European Jewry in the years just preceding the Nazi Holocaust. Her awards include the Maine Arts Commission's Individual Artist Fellowship in Literary Arts and the Abraham Sutzkever Centennial Translation Prize. Lee lives in rural Maine, teaches a writing workshop for adults with mental illness, and stands in a weekly peace vigil with Women in Black. She co-edits the Beloit Poetry Journal, which published chapbooks of the work of Split This Rock poets for the first and third Split This Rock festivals.

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