I also want to find a relationship in the non-narrative ability of poetry and film. While they both can, and often quite successfully are, narrative projects, poetry by virtue of its concentration of language and form on the page (not just verse, but short blocks of prose because of the plunge into whiteness that follows each one, use the void, the break of the line to create this possibility) can exist in a momentary eternity. That is, one moment that is comprehensibly infinite and universal. Of course, there is a temporality locked into the reading of the poem - you must read one word, one line at a time, there is no way to instantaneously take in the entirety of the poem in an atemporal experience. Rather its the subject matter that, by breaking the bonds of the temporality of the medium, the printed page, can free itself to express something beyond history, beyond time. In the same way, film, while constrained by the linear succession of images on a screen, can yet break these narrative bonds and express something beyond.
From TransVerse. The full entry is very interesting, and I encourage you to go read it. The call for film and video submissions can be found here.