Monday, September 13, 2010

Irwin Silber, Folk Musician and Art and Social Justice Pioneer

Below are excerpts of the NYTime's obituary of Irwin Silber. To read the full obituary, click here.

Mr. Silber, an ardent leftist, found common cause with Woody Guthrie, Pete Seeger, Lee Hays and others who regarded folk music as a form of political protest and a way of affirming the dignity of working people. In 1946, with other supporters, they founded People’s Songs Inc., which published a bulletin “to create, promote and distribute songs of labor and the American people.” Mr. Silber became its executive secretary in 1947.

First Edition of People's Songs, 1946
...
“He was one of a handful of people who can be called the architects of the folk revival, other than the performers themselves, and he helped move the music forward,” said Mark D. Moss, the current editor of Sing Out! “A lot of people thought of folk music as a white guy writing his own songs and playing guitar, but Irwin went deeper, presenting songs from different cultures in different languages. He always saw this as an empowering, people-up movement.”

May 1950 Edition of Sing Out!



...
He would later be brought before the House Un-American Activities Committee for questioning, but he managed to deflate the atmosphere of high drama. On being asked what subject he had taught at the Communist-sponsored Jefferson School of Social Science, he answered, truthfully, “Square dancing.” He left the Communist Party in the late 1950s.
Irwin Silber

Thursday, September 9, 2010

Fady Joudah's Darwish Translation Wins 2010 PEN USA Literary Award


We're so pleased to join in the congratulations being showered on 2010 Split This Rock featured poet Fady Joudah, whose gorgeous translation of Mahmoud Darwish's If I Were Another (Farrar, Straus and Giroux) was recently awarded the 2010 PEN USA Literary Award for Translation. Congratulations, Fady!

Order a copy of If I Were Another here: http://bbpbooks.teachingforchange.org/book/9780374174293

See the other nominees and winners in all categories here: http://www.penusa.org/node/149.

Wednesday, September 8, 2010

Poem of the Week: Heather Davis










29 Men



“If any of you have been asked by your group president, supervisors, engineers, or anyone else to do anything other than run coal, you need to ignore them and run coal.”

--Don Blankenship, CEO of Massey Energy, owner of the Upper Big Branch Mine

The lights in your home channel 29 men, their

soot stained clothes, last breaths, crystalline sweat

let loose on black rock.


The lamps in your den cast 29 men

from West Virginia to your retinas, making night

like day, closing the circle.


Did the bulbs in their kitchens pop and spark, the floors

revolt when the methane blew, stopping the hearts

of family members for what seemed like hours?


When he left that morning he said, “Love you too, buddy.

Now I’m gonna

Cut me some coal.”


Along with the brilliance in your bedroom you get 29 men

so cheaply it’s like nothing, an easy find

at the second hand store, a keeper.


I heard about Don Blankenship, King of Coal, Massey CEO.

How he made it his crusade to crush the union

so the men could start working 12-hour shifts.


I heard about Don Blankenship, Pied Piper, 1,000 violations

studding his golden belt, how it wasn’t enough, how he

wooed those boys to the precipice like hard used toys.


Your porch light out front floods the yard and sings

29 men, electric lives exuberant, giving everything. Don’t

turn away. This is what we pay for.


They’re not down in the mine anymore.



-Heather Davis


Used by permission.


Heather Davis earned a B.A. in English from Hollins University and an M.A. in creative writing from Syracuse University. She is the author of The Lost Tribe of Us, which won the 2007 Main Street Rag Poetry Book Award. Her poems have appeared in Beltway Poetry Quarterly, Cream City Review, Gargoyle, Poet Lore, and Puerto del Sol, among others. She is the founder of the Winding River Writers and a member of DC Poets Against the War. With her husband, the poet Jose Padua, she writes the blog Shenandoah Breakdown about post-city life in conservative small-town America at http://shenandoahbreakdown.wordpress.com.


Davis appeared on the panel The Care and Feeding of the Rural/Small Town Poet-Activist at Split This Rock Poetry Festival: Poems of Provocation and Witness 2010.

Please feel free to forward Split This Rock Poem of the Week widely. We just ask you to include all of the information in this email, including this request. Thanks!

Split This Rock
www.splitthisrock.org
info@splitthisrock.org
202-787-5210


Medrano and Ghebremichael Rock the House @ August Sunday Kind of Love




Michael Luis Medrano, author of Born in the Cavity of Sunsets, and Simki Ghebremichael, winner of Split This Rock's 2010 poetry contest, were on fire at Busboys and Poets in August, reading in the series Split This Rock cosponsors with Busboys, Sunday Kind of Love.

Born in the Cavity of Sunsets (Bilingual Press) is getting rave reviews, as in this one from the Summer 2010 issue of Multi-Cultural Review: "Medrano’s portraits of hustlers, musicians, poets, as well as his letters and complaints, are marvelously vibrant and witty pieces that leave the reader wishing for more. We long for more Mexican clowns, more barrio contortionists, more cholos and vendors. If nothing else, the collection’s brightest moment is its title poem which celebrates the forgotten men of places like Fresno, the men “of mustaches and oiled hair, brawn, and estrogen / dripping from our tortas de jamón.” Medrano’s eye for original detail is a pure pleasure. And Born in the Cavity of Sunsets is a fine first collection. It will be a joy to watch his career unfold."
Read Simki's winning poem here.

Tuesday, August 31, 2010

Poem of the Week: Thomas Sayers Ellis

















Photo by: Rachel Eliza Griffiths




Race Change Operation

When I awake I will be white, the color of law.
I will be new, clean, good; and as pure as snow.
I will remember "being black" the way one
experiences deja vu, as shadow-memory-feeling.
Race will return to its original association with running
and winning, though I will never have to do either
(ever again) to prove myself Olympic, human or equal.
My English, by fault of gaze (theirs), will upgrade.
I will call my Mama, Mother and my Bruh, Brother
and, as cultural-life-insurance, the gatekeepers will
amputate my verbal nouns and double-descriptives.
When I grow my hair long I will favor Walt Whitman
more than Wole Soyinka. My pale, red neck will scare me,
a frightening irony of freedom. The Literary Party in power
will adopt me, saying "TSE is proof of our commitment
to (verse) diversity...." I am. Narrative poets will use me
as long as they can trust me, and Elliptical women
will want me in their anthologies but not as a colleague.
What will I do with myself other than prove myself,
my whiteness, and that blackness is behind me?
The poetry in my walk will become prose.
I will be a white fiction full of black-ish progression,
the first human bestseller, a Jigga Book Spook.
It will be like having tenure, my value will be done.
This is crazy, this lose-a-world way to whiteness.
What happened to "smiling," to "playing the game,"
to being one of their favorites, to interracial marriage?
As a black, I won a Mrs. Giles Whiting Writer's Award,
so imagine what I will win when I become one of them.
I can see it now, my MacArthur. Jungle eyes, a Guggenheim.
This might be the most racist decision I've ever made
but these lines, unlike the color line, were written to break.
I am tired of lines, of waiting, of lies, my bio full of prizes.
I want my own whiteness, to own then free (someone like) me
even if it means reintegrating another sinking ship.
I'll be that Shine, defiant and drowned, dream alive.

-Thomas Sayers Ellis


From Skin Inc. (Graywolf Press 2010). Used by permission.


Thomas Sayers Ellis, co-founded The Dark Room Collective (in Cambridge, Massachusetts); and received his M.F.A. from Brown University. He is the author of The Maverick Room (2005), which won the John C. Zacharis First Book Award, and a recipient of a Mrs. Giles Whiting Writers' Award. His poems and photographs have appeared in numerous journals and anthologies, including Callaloo, Best American Poetry (1997, 2001 and 2010), Grand Street, The Baffler, Jubilat, Tin House, Poetry, and The Nation. He is also an Assistant Professor of Writing at Sarah Lawrence College, a faculty member of the Lesley University low-residency M.F.A Program and a Caven Canem faculty member. He lives in Brooklyn, NY and is currently working on The Go-Go Book: People in the Pocket in Washington, D.C. His new collection of poems and photographs, Skin, Inc., hit the stores, streets, classrooms and web-rumor-sites yesterday.

Ellis appeared on the panel Reclamation, Celebration, Renewal, and Resistance: Black Poets Writing on the Natural World at Split This Rock Poetry Festival: Poems of Provocation and Witness 2010.

Please feel free to forward Split This Rock Poem of the Week widely. We just ask you to include all of the information in this email, including this request. Thanks!

Split This Rock
www.splitthisrock.org
info@splitthisrock.org
202-787-5210